Document power

It’s becoming harder and harder to ignore how documents exert influence on us—in politics, across society and in everyday life.

Examples are easy to find. A recent paper in the Journal of Documentation discussed how, in South Africa under Apartheid, documents were used to impose racial categories on individuals, which resonates with today’s discussions around legal gender. Library and information science professor Ron Day’s book Indexing It All discusses how social media and other big-data apparatuses exert similar control.

But the power of documents is nothing new. Indeed, I suspect it’s as old as writing itself. Or even older. I can only imagine the power wrought by the earliest smears of red ochre on burial sites 100,000 years ago. Of course, political control—especially when unbeknownst—is much graver than the kind of power of spiritual awe.

An interesting example of the use of written documents to impose political power is given by Bhavani Raman in the book Document Raj: Writing and Scribes in Early Colonial South India, based on her doctoral dissertation. Her account shows how the machinery built around written records far exceeded the power of military might in the 18th-century English colonization of Madras. The pen is mightier than the sword, indeed. And beyond the manipulative bureaucracy that was constructed around written records themselves, issues around language choice and translation are also wrapped up in the story. This work contextualizes the modernization of India, but it also gives an extensive and clear account of writing at work.

I’m currently reading Glenn Greenwald’s gripping account of the Snowden revelation a few years back, and it strikes me how the nature of document power has become all the more pernicious with the rise of modern information and communication technologies. Not only do written documents impose political categories and the like, but now they offer strangers a window into the depths of our lives through constant surveillance.

And it’s not just the capacity for seeing that makes this so dangerous; rather, it’s what remains unseen. If the NSA inter alia had a total and ultimate view of our lives, that would be one thing. They would know our actions, but they’d also know our backgrounds and our deepest motivations, desires and fears. Yes, that would be scary. But I think it’s even worse that they know some of these things but not others—because they fill in the gaps with guesses. For instance, say someone conducts a Google search for how to build a bomb. Does this necessarily mean they are planning to blow something up? They could be writing a novel, trying to understand the physics of a recent terrorism incident, doing research for a school project or simply trying to see how easy it is to find such instructions online. To use one of Greenwald’s examples, if I told you that a woman buys a pregnancy test, then calls an abortion clinic, you’ll probably make certain assumptions. But what if she bought the pregnancy test for her father, who works at an abortion clinic, as a cheap way to check for testicular cancer? These examples may seem facile, but you may be surprised by how patterns and fragmented information can be misconstrued. To give another example, there’s a famous riddle you may have heard:

A father and his son get in a car crash. The father is killed, and the son is terribly injured. The son gets rushed to the hospital for surgery. But the surgeon, upon seeing the boy, says, “I can’t do it! That boy is my son!” Explain.

Based on the information we have, we make assumptions. And those assumptions give us a paradox. In the case of this riddle, it’s rather harmless (other than revealing your possible gender bias). But in other cases, it could be life or death. To be sure, certain facts can be construed from examining people’s patterns of conduct, but it is very easy to jump to conclusions.

So documents and the practices around them can be tremendously powerful in our lives. We can use them, and we can be used by them. Often this power is invisible. Some of that invisible power is being unveiled… but surely, so much of it remains hidden.

Support an exhibition of endangered alphabets

Glagolitic wordTim Brookes creates beautiful wood carvings in endangered scripts (see my previous post on Brookes’ work). This work is part of the Endangered Alphabets project, which creates educational materials for readers of minority languages and cultivates awareness around linguistic endangerment.

Endangered Alphabets has launched a Kickstarter campaign to support a new major exhibition of Brookes’ work as part of Mother Language Day 2017. The campaign just went live today and will run through July 21, 2016. Back the project now—rewards include postcards, books, clocks, dictionaries, unique carvings and more!

The reading experience

What’s a book? We have a number of ways of answering that question. On one hand, a book is a physical object, a rectangular thing with pages held together with binding. My copy of Candide is a book. On the other hand, we also think of a book as the words that inhabit that object. When someone sees you reading Candide and says, “I’ve read that book,” they probably don’t mean they read the same copy you’re reading, but rather a different copy—perhaps from the library. So there’s a sense that all the different copies of Candide in the universe are somehow the same book. Nowadays, these copies aren’t all in print—we have web-based text versions and audiobook versions, for instance.

Thinking about books in this way can serve us well enough, but we have to be careful. Different technologies have different possibilities for use—for instance, a tablet is multifunctional, whereas a printed book only does one thing—and exist in different social climates—for instance, a person may not feel comfortable using their smartphone in a certain part of a city. Both these things present affordances which constrain and enable how we use technology. And since books are presented through technology (we don’t live in the world of The Matrix yet), each book has a set of affordances through which a reader’s interaction with that book unfolds.

In many cases, a text presented in different technologies might be close enough that we’d be justified calling them all the “same.” For instance, the book White Noise by Don DeLillo presents a narrative that seems to be conveyed similarly whether it’s read in print or listened to in audio form.

But some authors specifically take advantage of the possibilities of a technology in making their book. I call this “entanglement,” because in books like this, the form and the content become entangled to a degree that can’t reasonably be ignored. An example of this is the book The Neverending Story, in which different colors are used in order to present the narrative—and the narrative is diminished in editions that print it in only black ink.

At iConference this year, I presented a study I did on people’s experiences reading two books I felt were entangled in a similar way—Ulysses, by James Joyce, and Infinite Jest, by David Foster Wallace—to see how people experienced these books in print, audiobook and Kindle formats. What I found was that, though people in all formats “got” what the books were about in terms of content (plot, themes), only the people who read the print editions talked about having deep, transformative, personal experiences with the books.

Now, this isn’t to say that print is better and that’s the end of the story. Rather, what I conclude from this study is that a book is likely best in the form its author intended, particularly when it is entangled. When a book is adapted, it is wrested from that entanglement and becomes, as a result, impoverished. While this cannot be seen if we think of a book as just the verbal content of its text, it is quite visible when the reader’s experience is taken into account. What’s important to note in all this is that audiobooks can be entangled just as can movies and webcomics.

What results is an important lesson for publishers and designers who are adapting books from one format to another: Put the reader’s experience first.

If you’re interested in reading more, I’d invite you to read my paper “Novel Experiences: On Page, In Ear, On Screen,” which is available in the open-access iConference 2016 proceedings. You may also be interested in the book Scrolling Forward: Making Sense of Documents in the Digital Age, by David Levy, and others that I have listed on my Reading List page.