Monthly Archives: April 2017

An episode from the history of typography

But they could afford typesetters. It’s hard to realize nowadays what that meant.

If you’re like me, you spend much of your time with electronic type. I was struck by how strange a state of affairs this really is recently when my brother sent me a video about a curious episode from the history of typography.

In the advent of computing, Bell Labs was instrumental in developing a lot of computing technology. As part of AT&T, Bell was a monopoly, which meant it didn’t have to be as cut-throat about its bottom line and could afford to allow a group of researchers to follow their curiosity even if their work didn’t appear to yield short-term profit. From this arrangement we got things like Unix, which is most likely at the root of the operating system you’re presently using; Bell Labs also helped bring about the democratization of type.

Before the 15th century (at least in the West), of course, nobody did typing. After Gutenberg, typing was a specialized skill. Not only did it demand extensive training, but the equipment was expensive. Fast forwarding to the 20th century, Dr. David Brailsford reports that in 1979 the newest, most affordable typesetting equipment would cost $50,000—enough to buy a nice house.

A team at Bell Labs managed to get a hold of one of these machines, a Linotron 202. Fonts were provided on floppy disks, at great cost and in proprietary format by a company called Mergenthaler. The Bell team reverse engineered the fonts, which were in an obscure format, to create their own.

The video details a modern-day project hearkening back to the past. In 1980 the Bell team wrote a memo describing how they reverse engineered the fonts, as well as the problems they encountered with the 202 machine, but the memo was suppressed at the time. Today the “authentic” memo only exists as a photocopy of a photocopy, and so in 2013 Brailsford decided to recreate it using modern software but mimicking the functions of the original software and processes to make it as authentic as possible.

Today we take it for granted that a given computer has dozens of fonts and new ones are obtainable for free or very cheap. Even professional type families in the hundreds of dollars are vastly cheaper than they were a few decades ago. Thanks must go, in part, to the Bell Labs team.

(Thinking about this over the past week has got me a bit sidetracked—I even decided to typeset my dissertation proposal in Latex.)