Category Archives: Punctuation

Changing the way we think about punctuation

In my work as a college essay writing tutor, I’ve noticed that a lot of people have trouble using punctuation. Now, many people seem to believe that trouble with punctuation stems from a failure to memorize and implement a bunch of usage rules, but I’ve come to a different conclusion: If you’re struggling with punctuation, you simply haven’t yet fully thought through your argument.

stop-clubbing-baby-seals

Let’s begin by clarifying what I mean by punctuation. Punctuation, as I understand it, is anything that stops a piece of writing from being just a string of letters. Punctuation is what helps us define the boundaries between words and even larger segments. Consider these two examples:

  • No punctuation: Heycanyoupackmyboxwithfivedozenliquorjugs
  • Punctuation: Hey, can you pack my box with five dozen “liquor” jugs?

We have quite a few different punctuation marks at our disposal. Let’s consider a number of them:

Space Line Break Period Comma Exclamation Mark Question Mark
x x x
x
x. x, x! x?
Colon Semicolon Hyphen Dash Quotation Marks Parentheses
x: x; xx xx x (x)

We use each of these under certain circumstances. We can seek to understand the usage of each one in terms of a series of rules typically learned in school, or we can think about them in terms of the meaning they contribute to a piece of writing. I believe the latter is much more effective. More specifically, the meaning that punctuation contributes is a description of how the elements—the words, phrases, clauses, sentences and paragraphs—relate to each other. In other words, punctuation reveals the organizational structure of writing. Failure to implement them correctly indicates, to me, not a failure to memorize rules, but a failure to analyze sufficiently. When it comes down to it, writing is a symbolic, systematic way to convey thought. Writing is organized, and one of the ways we organize our writing is through the use of punctuation.

Let’s briefly consider the meaning each of the punctuation marks I’ve mentioned above contributes:

  • Space – Separates words.
  • Line Break – Separates paragraphs, which are conceptual units. A new paragraph signals a change in topic.
  • Period – Separates sentences. (Also used to indicate abbreviations.)
  • Comma – Separates phrases, often for clarity.
  • Exclamation Mark – Lends a tone of surprise or excitement to the preceding sentence.
  • Question Mark – Lends a tone of question or wonderment to the preceding sentence.
  • Colon – Indicates that the following words stem directly from the preceding phrase.
  • Semicolon – Indicates that the preceding sentence and the following sentence are closely linked.
  • Hyphen – Unites two words.
  • Dash – Indicates a sudden change. Used as a pair to inject a thought amidst an ongoing stream, or in the singular to tack on an unrelated thought to the beginning or end of a sentence.
  • Quotation Marks – Indicate speech. May also indicate that a word is not to be interpreted as usual (either to suggest a novel usage of the word or to call attention to the word itself).
  • Parentheses – Indicate superfluous information.

If you have trouble with punctuation and you find yourself wondering if you really need a comma there or if such and such is an appropriate place for a paragraph break, instead of googling for a list of rules, sit back and think about how the chunks of your writing relate to each other. One punctuation mark I bet you’ve mastered is the space; we use spaces to indicate that the things around each space are to be understood as separate words. This seems quite obvious and natural to us. But perhaps you haven’t considered the intuitive possibility of omitting a space to indicate that two “words” should be considered a single entity.

When we get into suprasegmental distinctions, punctuation gets a bit trickier. But don’t lose heart. Ask yourself questions like:

  • Does this part function as a complete thought on its own, or does it rely on something else I’ve written (either before or after) to be understood?
  • How does it relate to what precedes and follows it?
  • Am I starting a new topic here?

You may find it difficult at first. Certainly, any new skill is difficult at first, and a change in mindset can make a task seem more difficult still. All in all, I think this way of thinking about punctuation is more beneficial than expecting you to wrap your head around dozens of rules, which frankly come along with dozens of exceptions anyway. When it comes to writing, we shouldn’t be slaves to detached rules; instead, we should understand how punctuation affects interpretation, and use it to more precisely convey our thoughts.

To drive this point home, let’s consider the following nonsense utterance:

Lorem, ipsum dolor sit amet (consectetur adipiscing elit) ut—eleifend ultrices—vulputate, “Interdum et malesuada fames ac ante ipsum primis in faucibus?”

We don’t know what this means, but to say that we get absolutely no information from it isn’t exactly true. Indeed, we can surmise some things…. We know that “lorem,” “ipsum” and “dolor” are all separate words. We know that “lorem” here is some sort of introductory thought—probably an adverb. We know that “consectetur adipiscing elit” is some nonessential information, and we know that “Interdum et malesuada fames ac ante ipsum primis in faucibus” is a spoken utterance that is also a question. So, while we can’t fully understand what’s written, we can begin to understand some of the grammar—in other words, how the written elements relate to each other.

Word-compounding strategies as visual metaphor

I’ve written before about visual metaphor in writing—the idea that ALL CAPS should be interpreted as shouting (i.e., big letters imply big voice)—and here is another example.

When we create compound words in English, we have three strategies to write them. Compound words can be written with a space between the two words, such as in “real estate”; they can be written with a hyphen, such as in “well-being”; and they can be written together, such as in “doorbell.” These are referred to as open, hyphenated and closed, respectively.

Jelly + Fish = Jellyfish

How do we decide which strategy we use in compounding a word? At first, it seems random. After all, we can find the same word compounded in multiple ways, depending on the writer. Take “well-being.” Google returns over 13 million results for “wellbeing,” over 2 billion results for “well-being” and over 22 million results for “well being.” Granted, the hyphenated version is most common, but the other versions are still quite pervasive.

In some cases, it’s more clear-cut. For example, there’s a need to differentiate “black bird” from “blackbird” and “black board” from “blackboard.” Granted, these examples have different stress patterns and are arguably quite different; words like “black board” are two non-compound words (an adjective plus a noun), whereas “blackboard” is a single, compound word.

It seems to me that the idea of visual metaphor may be behind our word-compounding strategy choices. I propose that words (at least nouns) written with a space are seen as most disconnected (by which I mean that the two compounding elements are perceived as having little to do with each other) or novel, whereas words written together as seen as most cohesive, and words written with a hyphen are somewhere in between. Things may be written as two words when they are new concepts, then make their way to hyphenation and finally one-wordedness as they become more widespread.

I say this because I don’t believe there are any single, compound words whose meaning would change if you compound them using a different strategy. (noting, as i mentioned previously, that some compound words actually become two separate words when written with a space; these cases wouldn’t figure into this scenario.)

Consider the evolution of the name “electronic mail,” which was used at the technology’s infancy, to “e-mail,” which was used until very recently, finally giving way to “email,” which seems to be today’s preference. (The truncation of the word “electronic” further demonstrates the technology’s growing pervasiveness.) And how about the word “net-work,” which was hyphenated in the 1800’s, an act that would be unthinkable today?

This is only a first musing on the concept, and there is, of course, much more analysis and consideration to be done to form a fuller picture.